NetArt: Unterschied zwischen den Versionen

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-=ARTICLES=
-==The Network, The Internet and the Arts==
-https://processing.org/tutorials/network/
-"artists and designers began making online work that not only was “in and of” the Internet, but leveraged the net as a tool for quick and easy dissemination of executable code, both browser-based and otherwise."
-"As Marina Grzinic writes, the “delays in transmission–time, busy signals from service providers, [and] crashing web browsers” contributed greatly to the way artists envisioned the aesthetic potential of the web,..."
-=ARTISTS=
-John Maeda created a number of sketches and games dating from the mid–1990s, including a series of interactive calendars using visual motifs borrowed from both nature and mathematics.
-Joshua Davis also emerged as an important figure through his online works Praystation and Once–Upon–A–Forest.
-Bertolt Brecht on the early revolutionary potential of radio networks
-Hans Magnus Enzensberger’s 1974 essay on new media, “Constituents for a Theory of the Media”
-=PHILOSOPHERS=
-Geert Lovink what else—the possibilities of networking, generative code, and open software projects
-Deleuze and Guattari’s emblematic literary concept of the “rhizome,”
-==web-based work==
-Cosic
-Shulgin
-Olia Lialina
-Heath Bunting
-Lisa Jevbratt’s work 1:1
-every IP address might be represented by a single pixel. Her work scans the IP address namespace, number by number, pinging each address to determine whether a machine is online at that location. The results are visualized as pixels in a gigantic bitmap that, quite literally, represents the entire Internet (or at least all those machines with fixed IP addresses).
-Mark Napier’s two works Shredder and Digital Landfill
-rely on a seemingly endless influx of online data, rearranging and overlaying source material in ways unintended by the original creators.
-Works like Carnivore and Minitasking approach the network itself as a data source, the former tapping into real-time web traffic, and the latter tapping into real–time traffic on the Gnutella peer–to–peer network.
->I/O/D 4 (known as “The Webstalker”)
-Jodi’s Wrongbrowser series of alternative web browsers
-also illustrate this approach, that the network itself is the art.
-All of these works automate the process of grabbing data from the Internet and manipulating it in some way.
-===Jodi===
-http://wwwwwwwww.jodi.org

NetArt: Unterschied zwischen den Versionen

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